The original treatment emphasised fixed proportions, with 維 and 奶 set to comparable geometric divisions. In 維, the relatively uniform division of black and white made the visual centre of gravity feel low.
The 糹 component used a 40-degree diagonal. Its different upper and lower side spaces pulled the eye upwards, creating a competing visual centre within the same character.
The revision prioritises optical balance rather than equal geometric divisions. Black and white are redistributed in 維 to establish a clearer centre of gravity. In 奶, the terminal of the 女 component moves left to help centre the form. Strokes along the horizontal alignment extend upwards, while the original study records a two-degree adjustment to the diagonal, bringing the more forceful angles back into balance.
